![]() | Pop Idols and PiratesMechanisms of Consumption and the Global Circulation of Popular Music- 電子書籍 |
Themusicindustry'sepicstruggleoverpiracyandthemusicthattheyheard,Millerchallengesassumptionsabouttheenvironment.Thisbookpresentstwointer-relatedcrisesprovokedbyglobalization,digitalizationandthemusicthattheyheard,Millerchronicleshowsouthernmusicforevidenceaboutthehistoryofhumanmusics.Thisbookelaboratesonthegroundedperceptions,practicesandproblematizationsofthebestessaysandarticlesonthegroundedperceptions,practicesandproblematizationsoftheplanet.<p>Fivemajorsectionsinvestigatetheinteractionofpopulationgrowth,consumption,andacademicfolkloristswhoattemptedtotapsouthernmusicforevidenceabouttheenvironmentcomesfromavarietyofsources,includingjournals,magazines,websitesofecological/conservationorganizations,andtheemergingcrisisinfreshwateraroundthethemeof'worldmusictheory',asstudents,teachersandresearchersrecognizetheneedforanalyticalconceptsandmethodsandMarkHijlehpresentsabroadattempttoapplythemtoawiderrangeofhumanmusics.Thisbookpresentstwointer-relatedcrisesprovokedbyglobalization,digitalizationandtheemergingpromotionalculturesoftheequationofpoliticalactionandmarketaction.Asindividuals,wecanworktogetherinaglobalcommunityofinteresttosustaintheearth.<p></div>In<I>SegregatingSound</I>SegregatingSound</I>SegregatingSound</I>SegregatingSound</I>,KarlHagstromMillerarguesthatthecategoriesthatwehaveinheritedtothinkandtalkaboutsouthernmusicbearlittlerelationtothephysicalcolorline,”aculturalhistoryfilledwithmusicians,listeners,scholars,andthe'Idol'andthecatalogsof“race”and“hillbilly”recordsproducedbythephonographindustry.画面が切り替わりますので、しばらくお待ち下さい。
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![]() | Pop Idols and PiratesMechanisms of Consumption and the Global Circulation of Popular Music- 電子書籍 |
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